For this project, I served as both the Editor and the on-set Script Supervisor. On the technical side, I gained extensive experience learning digital workflows, such as working with .RED footage, exporting .AAF and .MXF files, and syncing audio without scratch tracks. This film also deepened my understanding of the director–editor relationship, highlighting the importance of collaboration in realizing the original creative vision while navigating the practical logistics of achieving it. Serving as Script Supervisor provided valuable on-set insight into the importance of clear communication and securing sufficient coverage to support the edit.